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La Bigband feat. Irina Karamarkovic: Sounds of Kosovo
Irina Karamarovic (voc) / Daniela Fischer (violin) / Anna Aichberger (flute) / Franz Huemer (alto & sopran saxophone clarinet) / Joachim Grübler (alto saxophone, clarinet) / Manfred Hochholzer (tenor saxophone clarinet) / Andreas Radler (tenor saxophone) / Martin Siegl (baritone saxophone) / Klaus Ganglmayr (lead trumpet, flugelhorn) / Lorenz Raab (trumpet, flugelhorn) / Markus Fischer (trumpet, flugelhorn) / Gerald Silber (trumpet, flugelhorn) / Andy Pranzl (trumpet, flugelhorn) / Klaus Hainzl (trumpet, flugelhorn) / Manfred Aschauer (lead trombone) / Thomas Kaser (trombone) / Manuel Schachinger (trombone & bariton) / Richard Aschauer (bass trombone & tuba ) / Philippine Duchâteau (piano, e-piano) / Peter Rom ( e-guitar) / Josef Wagner (e-bass) / Rainer Deixler (percussion & drums) / Thomas Franz-Riegler (drumset) / Lois Aichberger (conductor)
Dobar Dan / Die Leere / Rose Vreme / Mixed Languages / Die notwendige Reise / The new beginning myth / Ho ruck / Chipsy King / Le Swing / Crni Sokole / Po vijne krushqit / Lale / Barkbeetle for L.A.B.B.
Die aus dem Kosovo stammende Sängerin Irina Karamarkovic erschafft mit einer perfekt eingespielten BigBand musikalische Bilder und Landschaften aus ihrer Heimat. Die Musik begleitet den Hörer durch das Instrument der Sprache von den Wirren der letzten 10 Jahre in das Hier und Jetzt. SOUNDS OF KOSOVO ist nicht nur der Ausdruck eines Einzelnen sondern eine vertonte Geschichte von Ausgrenzung, Rechtlosigkeit und Selbstbehauptung.
ATS Records /rec 2007 /ModernJazz /CDs: 1
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The music should refl ect what the musician is concerned about. as soon as the spoken word enters the world of music, a new dramatical dimension is created. we explore different languages spoken in kosovo (serbian, albanian and turkish), and combine them with lyrics in german and english. because the spoken word has an ability to behave as a musical instrument, the words are often used to create pictures, sounds and atmospheres. but the word is no servant of music. the fi rst part refl ects everyday life in kosovo, easiness and indifference, as well as the tense relations. the second part is describing the inevitable fl ight. the third part is embracing the new beginning myth, and all the diffi culties an individual is facing after the fl ight. SOUNDS OF KOSOVO is not only self expression, but the story of exclusion, lack of rights, humiliation and self-assertion - a story which circumstances i try to show and break. irina karamarkovic
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